June 11, 2012 § 3 Comments
So the previously mentioned straw mats have had a backbreaking 8-hour makeover this weekend. I sewed four together to create a massive mat on which I painted on a number of kilim patterns. This once blank large mat is now packed with bright colorful prints (in our colors, of course!).
It’s convenient that the kilim has reached mainstream global fashion in the year O.T. and I are wed. I have caught sight of the patterns on tops, bottoms, and bags in ways antique kilim-makers never dreamed. Of course kilim rugs are from varied origins, however the most prolific kilim-makers are the Turks. Creating a Turkish rug-inspired mat for our Grand Canyon picnic was another seamless way to incorporate O.T.’s culture into the wedding and to give a big welcome to his parents who are flying in from Istanbul (apart from the Turkish ebru handmarbled papers on our wedding stationery).
Before busting out my acrylic paints and cutting out stencils from plastic chopping sheets, I studiously researched the types and meanings of kilim patterns. It’s amazing what kilim.com has to offer on the topic.
It turns out, there is a lot of symbolism behind kilim motifs, apart from looking cool and tribal. What’s even more amazing is the relevance of these to our wedding.
To start, we chose the most common symbol of Turkish superstition — the eye. The eye wards off any harm caused by an evil glance.
On our kilim magic picnic carpet, I also painted on the tree of life, which is the hope of life after earth. It cannot be a Turkish carpet without the comb, which is a symbol of marriage and birth. (To me, that pattern has always been a ‘dentil’, as used on a frieze. But hey, we’re not talking architecture). Of course, on our mat, there is also love and unison, the harmony between man and woman, the yin and yang. Or as O.T. sees it: two Pacman ghosts gettin’ it on.
Then there is the star to signify happiness. It couldn’t be more perfect